Paul Welch

On Fantasy, Writing & the Journey to Publication

Category Archives: publishing

Time to Update

Hi friends,

I sincerely apologize for not being very active on the blog over the past two months. I’ve been a busy boy – working full-time at a job that gives me tons in tips, rehearsing full-time for a show that’s in the Edmonton and Vancouver Fringe Festival, and launching my own theatre company – Third Street Theatre (www.thirdstreet.ca).

So I have been quite busy, with so many projects on the go. Last count had me at 95 hours/week of work, and I don’t think I’ve had a day off in six weeks. It’s a pretty rigorous and exhausting schedule.

That being said, I have had continued interest from the literary agent in my book, and he is working with me on fixing some of the issues regarding pacing. My only challenge is to grab some time to dedicate to revisiting the manuscript.

I have had a seven month break from the book, which I am sure has given me loads of perspective. I am hoping that in the next couple of months I’ll be able to find a couple of days to really dedicate myself to editing again, so that we might be able to continue on this path.. and hopefully lead to official representation.

There are so many exciting things going on in my life, and the Universe seems to keep sending more projects my way. It’s hard to complain about it (although, I find myself complaining that I am tired, have no time, and no social life.. which isn’t a fun story to be telling all the time).

I can make no guarantees that I will be blogging every day, but I will do my best to write a post now and then – especially as I move forward with editing the manuscript.

All the best, and cheers.

Paul

Guest Author Paul Welch: A Journey Through Massive Edits

Hi, friends!

Janice Hardy asked me to be a guest blogger on her website a while ago, and she just let me know that the blog went live today. I thought I’d share it here, as it chronicles a little bit about my journey through massive edits.

An interesting thing to note:

Despite reducing my novel from 198,000 words down to 142,000 words (at the time of the guest blog) and its subsequent reduction to 140,000, a literary agent just expressed interest in the premise of the story but would not request a read until it was 120,000 words, or, more preferably, 110,000 words. “140,000 words is far too long for a debut novel.”

So I am faced with an interesting dilemma. The NY literary agent mentioned in the blog is still reading my partial request, so I think I will wait until I hear from him before moving forward, but I am a strong believer in eliminating obstacles. I understand that my novel is long – but it isn’t without precedence.

I want to be published, so I supppose – if and when the time comes – I will just have to see whether the story can be reduced and simplified even further.

But enough of that – on to the blog!

Guest Author Paul Welch: A Journey Through Massive Edits in Ten Easy Steps.

“I’m excited about today’s post. A few months ago, Paul Welch wrote me to say thanks for some of my revision posts. He had a huge novel to cut down and my advice helped a lot (which totally made my day). We got to chatting and he told me his amazing story and what he did to turn a massive novel into something he could submit. I was so inspired by his tale, I asked him to guest post and share it with you guys.”

Read the rest of the article at Janice Hardy’s website.

Blog Mash-up

For today’s post, I wanted to share three articles from blogs that I think are pretty darned interesting. I’ve given you the headlines and a sample of the article, and I strongly hope you click through and give the rest of the article a read. I don’t think you’ll regret it!

I hope you enjoy them!

Paul

The Faceless Villain: What to do When Your Bad Guy Isn’t a Person

In a lot of stories (especially genre novels) the antagonist is a physical being that can be fought against. But what do you do when your antag is something to overcome, like depression, or a self-destructive streak? Technically, there’s nothing plotting against your protagonist for them to fight. It’s a personal situation or flaw holding them back. These stories are a little tougher to write. 

Read the rest of the article HERE on The Other Side of the Story.

How To Write – And Deliver – Killer Speeches
For two years or whatever, I blogged three times a week about publicity, speechwriting, public relations and scandals for The New York Times’about.com.  If you are an author, actor, director, politician, professional athlete, rock star, user of social media or otherwise in the public eye, THESE POSTS ARE USEFUL TO YOU. If you live in an ice cave, you can safely ignore all this stuff and go back to tanning that elk hide.
Six Ways to Beat The Blogging Blahs
We all go through times when we wake up in the morning, take one look at the clock, and pull the covers back over our heads wishing we could spend the day cocooned away from the world.We have those days (or weeks!) when it’s hard enough to force ourselves out of bed, much less make ourselves sit down in front of our laptops and try to come up with something witty and interesting to say on our blogs.
Did you come across any awesome blogs or articles this week that you’d love to share? Or perhaps you posted one on your own blog that you’re particularly proud of? Please share them in the comments below – I’d love to see what you’re reading.

Which Genre Is It, Anyway?

Fantasy vs. Science Fiction All books need to be classified, for it tells book sellers – and readers – where a book belongs. If you go into a book store, a quick glance at the aisles tells you that it is imperative for a book to fall into a certain genre. Often, fantasy and science-fiction are grouped together in one big section, which can make it a challenge in searching out a specific sub-genre of literature. But when we submit our work to agents, it’s important to have the right genre classification.

Why? Because the agent needs to know how they are going to sell the book. If we say that our book is a “young adult, middle grade, high fantasy, space opera, steampunk set in Victorian-era Mars,” an agent will likely give it a pass – because they will be unable to sell the book to a publishing house (and chances are, such a book would be a bizarre mess.)

It can be confusing knowing where to place your book. As such, it is important to fully understand the genre. To help with that, I’ve done a little work for you and defined some of the sub-genres of both fantasy and science fiction, with a little note on classification. I hope it helps!

Fantasy:

Epic Fantasy: Arguably the father of all fantasy, epic fantasy is a genre where the protagonists must save the world, typically from some malevolent, evil antagonist. They typically fight the final battle between good and evil, conquer evil nations, overthrow evil overlords, or even face off with the gods themselves. Often times, epic fantasy and high fantasy are considered interchangeable, but there is a subtle difference. J. R. R. Tolkien and Robert Jordan fall under the heading of epic fantasy.

High Fantasy: Closely related to epic fantasy, the high fantasy genre typically has just as much world building as its epic counterpart, but the difference is in the scope of the story. High fantasy typically involves stories that are more personal in nature, perhaps more limited to the needs and desires of a single protagonist, rather than a group. He or she is focused on a single antagonist, rather than on a global/end-of-world event. Typically, by the end of the story, our protagonist has attained his or her goals, but the rest of the world is generally unaffected and continues on as though nothing had happened. Often, Ursula K. Le Guin’s Earthsea novels are considered to be high fantasy.

Urban Fantasy: Sometimes referred to as contemporary fantasy, urban fantasy is typically set in the real world, such as Earth, and is often in the present day. Magic still plays a pivotal role, and, as such, is not to be confused with science fiction. Guy Gavriel Kay has some urban fantasy in his oeuvre.

Sword and Sorcery: Sword and sorcery fantasy involves stories that are typically smaller in size with less emphasis on world building and more time spent on action. Think of dungeon-crawls, where the protagonists must fight off the hordes of evil on a quest for his or her goal. Xena: Warrior Princess would be a good example of a sword and sorcery type fantasy.

Dark Fantasy: Dark fantasy isn’t necessarily ‘scary’ or ‘horrific’ fantasy, but rather it is typically a story where the protagonist fails to win. They may involve antiheroes rather than heroes, and the stories are often set in worlds where evil has triumphed over good. Sometimes they are set in dystopian or post-apocalyptic worlds. H. P. Lovecraft is well known as a dark fantasy author.

Historical Fantasy: Often set in the historical real world, urban fantasy includes magical elements set in historical eras. Susanna Clarke is an example of a historical fantasy author.

Erotic Fantasy: Also known as fantasy romance, erotic fantasy tends to have a lot of sex and/or romance as central drive for the plot. The Sleeping Beauty” novels by A. N. Roquelaure – a pseudonym of Anne Rice – are examples of erotic fantasy.

Science Fiction:

Hard Science Fiction: With a heavy dose of science, hard science fiction is perhaps one of the more challenging genres to write in. The author must have a solid understanding of scientific fact so that their futuristic science is wholly plausible. Asimov is considered the grandfather of hard science fiction.

Space Opera: This tends to be a fun genre, with less focus on scientific fact with perhaps more liberal, fantastical elements. There can be hard science and military science fiction in this genre, but it leans heavily on the fiction side. George Lucas is a good example of a space opera author.

Steampunk: Steampunk is typically a very specific type of historical fiction, where more modern technology is set within classical historical eras. For instance, you’ll often have mechanized gizmos and gadgets in a Victorian-era world. The new Sherlock Holmes movies lean towards steampunk, as well as novelists such as Cherie Priest.

Classification:

We typically don’t need to classify when a novel is suited for an adult audience. It is assumed that all literature can be read and appreciated by adult readers. Adult fantasy and science fiction tends to allow for more sex, romance and graphic violence, with a more sophisticated point of view.

Young Adult: The primary distinction here is that the protagonist tends to be close to the age of the reader (typically 13-17). If you visit the young adult section of the book store, you’ll see that it has exploded in popularity. It is interesting to note that young girls tend to be the target demographic for these stories, although the popularity of these stories is growing among young teen boys. Suzanne Collins, of Hunger Games fame, is a good example of a young-adult (YA) author.

Middle Grade: These are books intended toward kids ages eight to twelve (also known as ‘tweens’). They are starting to make decisions on the types of stories they’re interested in reading, and typically the protagonists are of a similar age to the reader. There is typically very little – if any – sexual content, although there is definitely action and conflict. Janice Hardy is a good example of a middle-grade (MG) author.

Have I missed any major sub-genres? And was this helpful in making sense of the differing genres? If so, please include your thoughts in the comments below. Note that literary agents and publishing houses may disagree, and that these are only guidelines.

Worth a Look: Rebecca Berto & Larry Brooks

Today, I want to introduce you to a woman named Rebecca Berto. She is a young writer and editor living in Australia, and she hosts a blog called Novel Girl where she offers up clear advice on writing, a smattering of comprehensive book reviews and author interviews.

And what’s more, she’s done a ton of work on amassing valuable tools that I have certainly found useful in developing my craft.

In particular, she highlights the skills she learned from Larry Brooks, author of Story Engineering. Larry’s book is definitely on my wishlist, as it sounds like it’s loaded with incredible tools and resources.

As I approach my own craft of writing, Larry’s site Storyfix and Rebecca’s blog have been very educational, and I recommend them both.

Story structure is one of those elusive things that a lot of novice writers don’t think about – and judging from a couple of disappointing published short stories and a 500-page YA novel I’ve read recently, it might be something a few published authors don’t think about, either. Most, however, do – and it becomes quickly apparent as to why.

We’re given a very brief overview of it in high school, and then it quickly drops to the back-burner, never to be thought of again. I will admit that when I wrote my first novel, structure was the last thing to pop into my mind. But I guarantee you that through the editing process, it resurfaced and I paid special attention to the various elements that make for good structure in a story. The fixes were sometimes a challenge, but definitely worth-while.

The following three links are from Rebecca’s site, highlighting her understanding of Larry’s technique.

The Best Advice I’ve Learned on Story Structure: Part 1 – Setup

The Best Advice I’ve Learned on Story Structure: Part 2 – Plot Point 1

The Best Advice I’ve Learned on Story Structure: Part 3 – Midpoint & Second / Third Plot Points

What are your favorite sites for writing technique? Are there any books on the craft of writing that you view as your proverbial “bible”? Please share them in the comments below – I’d love to take a peek at them.

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